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Likewise, my book Narration in the Fiction Film, written while we werewaiting for a publisher to risk printing CHC, recasts some of the CHC’stheoretical framework pertaining to narration and situates classical narrationin a wider field of options. Ozu and the Poetics of Cinema is an authorialstudy that tries to capture Ozu’s transformation of norms he inheritedfrom both Hollywood and Japanese film traditions. My books on the history ofstyle and the traditions of cinematic staging are further studies in norms andtheir creative recasting. Many of my online essays and blog entries bear on thesame issues. My study of Eisenstein is at once an auteur analysis and an accountof a director who himself explicitly aimed to create a poetics of cinema. Mostrecently, the first essay in Poetics of Cinema is my attempt to sumup what I’m aiming to accomplish in the study of film. In sum, if anyoneis tempted to take what I wrote in CHC as definitive, or as my finalthoughts, I urge them to turn to my later work. I’ve learned a few thingssince 1985.