Categories; How to Separate Lines in Poems When Quoting for Essays.

Any time you borrow information from another source, you must indicate this in your paper, .Job Materials and Application Essays; Application Essays (and Personal Statements) For further information you may wish to see Quoting, Paraphrasing, and When quoting lines of poetry up to three lines long (which are not indented, see .Quoting poetry in your writing is a bit trickier than quoting prose.

wiki How to Quote and Cite a Poem in an Essay Using MLA Format.

Quoting poem essay a an within Cluster map english essay, How to Quote Poetry in an Essay.

How to Quote and Cite a Poem in an Essay Using MLA Format

"And here may be the best place to note after Dr Phelps that the 'whole atmosphere of Collins's Ode is similar to that of the Elegy. Cf. especially stanza 10,

''And hamlets brown, and dim-discovered spires,
And hears their simple bell, and marks o'er all
Thy dewy fingers draw
The gradual dusky veil.'' '
Dr Phelps notes also that Joseph Warton's verses contain some of Gray's pictures, and something of the same train of thought: e.g.:
''Hail, meek-eyed maiden, clad in sober grey,
Whose soft approach the weary woodman loves,
As homeward bent to kiss his prattling babes
Jocund he whistles through the twilight groves.''
add:
''Now every Passion sleeps; desponding Love,
And pining Envy, ever-restless Pride;
A holy calm creeps o'er my peaceful soul,
Anger and mad Ambition's storms subside.''
The latter stanza might well be the form in embryo of the four rejected stanzas quoted infra, n. on . Dr Phelps remarks that ''the scenery as well as the meditations of the Elegy were by no means original: they simply established more firmly literary fashions which were already becoming familiar.''
And certainly if the opening stanzas of the Elegy as we now have them were written as early as 1742, their composition was in no way affected by the poems of Warton and Collins; the same must be said even if the 'autumnal verses' of the letter of Sept. 11, 1746, were the Elegy. The spirit of gentle melancholy was in the air; and in 1746 and 1747 found in three young poets, Collins, Joseph Warton and Thomas Warton, that voice to the world at large which is found again in Gray in 1750. For in 1747 Thomas Warton published anonymously these lines, which he had written in his 17th year (1745):
''Beneath yon ruin'd abbey's moss-grown pile
Oft let me sit, at twilight hour of eve
Where thro' some western window the pale moon
Pours her long-levell'd rule of streaming light;
While sullen sacred silence reigns around,
Save the lone screech-owl's note, who builds his bow'r
Amid the mould'ring caverns dark and damp,
Or the calm breeze, that rustles in the leaves
Of flaunting ivy, that with mantle green
Invests some wasted tow'r:
''
where resemblance to the Elegy is closest of all.
Between these three poets communication of ideas was probable; but at this date even Thomas Warton, with whom he afterwards corresponded, was an absolute stranger to Gray. And Gray is so far from feeling that in any of these there were 'kindred spirits' who might 'enquire his fate' that he writes, Dec. 27, 1746:
'Have you seen the Works of two young Authors, a Mr Warton and a Mr Collins, both Writers of Odes? it is odd enough, but each is the half of a considerable Man, and one the counterpart of the other. The first has but little invention, very poetical choice of Expression, and a good Ear, the second a fine fancy, model'd upon the Antique, a bad Ear, great variety of Words, and Images with no choice at all. They both deserve to last some Years, but will not.'
So little are men conscious of that 'stream of tendency' on which they themselves are borne."

Quoting a poem in an essay is not quite as effortless as ..

"And here may be the best place to note after Dr Phelps that the 'whole atmosphere of Collins's Ode is similar to that of the Elegy. Cf. especially stanza 10,

''And hamlets brown, and dim-discovered spires,
And hears their simple bell, and marks o'er all
Thy dewy fingers draw
The gradual dusky veil.'' '
Dr Phelps notes also that Joseph Warton's verses contain some of Gray's pictures, and something of the same train of thought: e.g.:
''Hail, meek-eyed maiden, clad in sober grey,
Whose soft approach the weary woodman loves,
As homeward bent to kiss his prattling babes
Jocund he whistles through the twilight groves.''
add:
''Now every Passion sleeps; desponding Love,
And pining Envy, ever-restless Pride;
A holy calm creeps o'er my peaceful soul,
Anger and mad Ambition's storms subside.''
The latter stanza might well be the form in embryo of the four rejected stanzas quoted infra, n. on . Dr Phelps remarks that ''the scenery as well as the meditations of the Elegy were by no means original: they simply established more firmly literary fashions which were already becoming familiar.''
And certainly if the opening stanzas of the Elegy as we now have them were written as early as 1742, their composition was in no way affected by the poems of Warton and Collins; the same must be said even if the 'autumnal verses' of the letter of Sept. 11, 1746, were the Elegy. The spirit of gentle melancholy was in the air; and in 1746 and 1747 found in three young poets, Collins, Joseph Warton and Thomas Warton, that voice to the world at large which is found again in Gray in 1750. For in 1747 Thomas Warton published anonymously these lines, which he had written in his 17th year (1745):
''Beneath yon ruin'd abbey's moss-grown pile
Oft let me sit, at twilight hour of eve
Where thro' some western window the pale moon
Pours her long-levell'd rule of streaming light;
While sullen sacred silence reigns around,
Save the lone screech-owl's note, who builds his bow'r
Amid the mould'ring caverns dark and damp,
Or the calm breeze, that rustles in the leaves
Of flaunting ivy, that with mantle green
Invests some wasted tow'r:
''
where resemblance to the Elegy is closest of all.
Between these three poets communication of ideas was probable; but at this date even Thomas Warton, with whom he afterwards corresponded, was an absolute stranger to Gray. And Gray is so far from feeling that in any of these there were 'kindred spirits' who might 'enquire his fate' that he writes, Dec. 27, 1746:
'Have you seen the Works of two young Authors, a Mr Warton and a Mr Collins, both Writers of Odes? it is odd enough, but each is the half of a considerable Man, and one the counterpart of the other. The first has but little invention, very poetical choice of Expression, and a good Ear, the second a fine fancy, model'd upon the Antique, a bad Ear, great variety of Words, and Images with no choice at all. They both deserve to last some Years, but will not.'
So little are men conscious of that 'stream of tendency' on which they themselves are borne."

How to Cite a Quote of More Than Four Lines.    MLA Guidelines for Literature Essays C.
Citing Literary Works in the To see an example of a block quote in MLA the dialogue will be written in separate lines as in a poem.

Quoting Lines Of Poetry In An Essay – 611210 | …

"See note on Eton Ode .
To these two lines it has been objected that they are obscurely expressed, and seem to combine a blessing and a curse as if they were cognate ideas. But Gray defines his melancholy to West, May 27, 1742 'Mine, you are to know, is a white Melancholy, or rather Leucocholy for the most part, which though it seldom laughs or dances, nor ever amounts to what one calls Joy or Pleasure, yet is a good easy sort of state' &c. His melancholy was closely connected with his studious retirement, and its nature is exactly fixed in these two lines. Milton's Il Penseroso is Gray all over, and it is noteworthy that whereas Milton is certainly indebted to the verses prefixed to Burton's Anatomy of Melanchol for his two companion poems, Burton has given to his melancholy man some of the pleasures which Milton has transferred to L'Allegro. Gray might say with La Fontaine:

J'aime ... les livres, la musique
La ville et la campagne, enfin tout; il n'est rien,
Qui ne me soit souverain bien,
Jusqu'aux sombres plaisirs d'un coeur melancolique."

(fewer than three lines of verse) quotations from poetry, Quoting Poetry in When you quote a poem within an essay.

How to Quote and Cite a Poem in an Essay Using MLA …

"The germ of the four following stanzas is probably to be found in these lines of Waller (to Zelinda):

''Great Julius on the mountains bred,
A flock perhaps or herd had led,
He that the world subdued had been
But the best wrestler on the green.
'Tis art and knowledge which draw forth
The hidden seeds of native worth;
They blow those sparks and make them rise
Into such flames as touch the skies.''
Gray possessed and had studied Waller; he has transferred this thought from a trivial setting, and placed it where it fitly exemplifies the pathos of human life. Cf. Addison, Spectator, 215.
It should be noted that Gray's Cromwell was originally Caesar, Waller's 'Great Julius.'"

Purdue OWL; Writing Lab; If the piece of poetry you are quoting crosses multiple lines of the poem itself, Essays; Short Poems.

Quoting Lines From A Poem In An Essay Mla - Ucla …

"Some lines in the Anthologia Latina, p. 680, Ep. CLIII. have a strong resemblance to those in the text:

''Crede mihi, vires aliquas natura sepulchris
Adtribuit, tumulos vindicat umbra suos.''
See also Ausonius (Parentalia), ed. Tollii, p. 109:
''Gaudent compositi cineres sua nomina dici.'' Mitford.
(The quotation from Ausonius may illustrate also .)"