PANTOUM: A variant spelling of pantun (see below).

PANTUN: A verse form from Malaysia. The pantun is a poem of no specific length, composed of quatrains using internal assonance. The rhymes are interlinked much like in the sense that the second and fourth lines of each stanza become the first and third lines of the following stanza. In the last quatrain, the first line of the poem appears again as the last, and the third line as the second, forming a "circle" for closure. (Alternatively, the poet may end the work with a simple couplet). Ernest Fouinet introduced the genre to French literature in the 1800s. Victor Hugo, Baudelaire, and Leconte de Lisle later also experimented with it in French verse. Although rare in English poetry, Austin Dobson used it in his work, In Town.

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Whitman’s  leads him to be as inclusive as possible in championing democratic goals:

About work, he writes in “Blue Monday,” quoted in full:

PRE-ROMANTICISM: The first phase of the Romantic movement in European literature of the late 1700s and early 1800s. Harkins labels its main traits as "greater freedom in expression of personal feelings, a new interest in landscape, the cultivation of medieval, chivalric themes as well as . . . the supernatural, and the melancholy mood of 'graveyard' poetry" (309). See for further details.

His insight can be plain-speaking and charming, such as in these:

POLYTHEISM: The belief in multiple deities--usually non-omniscient and non-omnipotent--in contrast with the idea of a single all-powerful deity.

The one red leaf, the last of its clan That dances as often as dance it can.

My essay on how I quit writing up at The Good Men …

Through me many long dumb voices,
Voices of the interminable generations of slaves,
Voices of prostitutes and of deformed persons,
Voices of the diseased and despairing, and of thieves and of dwarfs,
Voices of cycles of preparation and accretion,
And of the threads that connect the stars—and of the wombs, and of the
And of the rights of them the others are down upon,
Of the trivial and flat and foolish and despaired,
Of fog in the air and beetles rolling balls of dung.

Ekphrasis: Poetry Confronting Art | Academy of …

I am the poet of the woman the same as the man
And I say it is as great to be a woman as to be a man,
And I say there is nothing greater than the mother of men.

PERIPHRASE: See discussion under . Not to be confused with paraphrase.

25 Croatian Tanka Poets in Croatian and ..

Two short poems from Louise Simpson’s 1960 Pulitzer Prize-winning book seem to sum up both the difficult task of contemporary verse dealing with modern polyglot times, and articulate a desire of the human spirit to soar beyond it. In “American Poetry” and “In the Suburbs,” Simpson writes:

Critical essay on ars poetica - Homework Service

Read this short essay on tourism

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Verbosity - Wikipedia

Mr. Plimpton’s Revenge: A Google Map Essay | …

PARABASIS (Greek, "stepping forward" or "going aside"): A moment at the end of a Greek tragedy in which the chorus would remove their masks and step forward to address the audience directly in speech rather than song. The parabasis usually contained the final thoughts or opinions of the playwright on some matter of government, theology, or philosophy. The concluding words of the chorus in Sophocles' Oedipus Rex serve as one example.