Essay about Felix Mendelssohn - 410 Words - victory …
Felix Mendelssohn and the Leipzig Gewandhaus Article
However, in the past twenty years, the composer has begun to attract new attention. The estimate of the chamber music especially has revised the composer's reputation upward. Writers have begun to see Elijah as an innovative and powerful fusion of oratorio and Romantic opera. Of course, certain works have long enjoyed the status of repertory staples: the octet, the Midsummer Night's Dream music, The Hebrides, Calm Seas and Prosperous Voyage, Ruy Blas and other overtures, Elijah, the "Italian" and "Scottish" symphonies. It's a rare professional violinist who doesn't know the e-minor concerto. Mendelssohn excelled in every genre except opera. Much of his catalogue remains little-known today, but much of it has made it to recording. Digging around a bit will reward the explorer. ~
Miss Jacobson's Music: COMPOSER: FELIX MENDELSSOHN-BARTHOLDY PICTURES
Mendelssohn's short life (February 3, 1809 - November 4, 1847) for the most part justified his name, Felix, which means "happy, lucky" and from which we get the word "felicitous." His life showed little of the storms that marked Beethoven's or the stresses of Berlioz's. Born into a wealthy banking family, the grandson of the great German Jewish Enlightenment philosopher, Moses Mendelssohn, Felix (later baptized Jacob Ludwig Felix) showed an early aptitude for music. Fortunately, he had parents willing to let him become a musician, and he received the finest training. His most prominent teacher was Carl Friedrich Zelter, advisor in matters musical to none other than Goethe. Zelter gave Mendelssohn thorough, but very conservative, instruction. Mendelssohn was encouraged to follow and , but not . Nevertheless, the boy found out Beethoven for himself and formed a deep appreciation and love of Beethoven's final period, particularly the middle and late piano sonatas, much to Zelter's puzzlement.