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Color is all around us. It is a sensation that adds excitement and emotion to our lives. Everything from the cloths we wear, to the pictures we paint revolves around color. Without color; the world (especially RGB World) would be a much less beautiful place. Color can also be used to describe emotions; we can be red hot, feeling blue, or be green with envy.
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Earlier this year, I visited the Kazuo Ohno dance studio in Yokohama, established some 60 years ago, and collaborated with Yoshito on a performance celebrating his father's life and work. At Ohno's bedside, I witnessed a surprising vitality and sensed an almost invisible movement reverberating through his elderly frame. As he lay there, his window open to reveal a cherry blossom tree and a view of Mount Fuji, I realised that Ohno had developed a creative process that was a byproduct of his spiritual practice. Yoshito told me during my visit to the studio that they aspired to total freedom in their dance, and that it emerged from a place of universal love.
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Any colour of the spectrum can be made by mixing the ,,and primaries. This is why they are called First-Order colours. Theseare pure colours and are not created though mixing any other colours. If you look at the at the top of this page you'll notice that while there are aninfinity of additional colours, convention has it that there are in fact 9additional Second-Order colours, for a total of 12 in the two groupscombined. Allother colours are considered Third-Order and won't be discussed here much.
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The bare trees scattered throughout the frame are essentially .is the most neutral of all colours and throughthe effect of simultaneous-contrast () appears complementary to any other colour inthe frame. In this case it tends to subdue the ,which would otherwise appear over-the-top. Nevertheless, the colours are anaccurate rendition of late-afternoon light illuminating this scene's fall foliageand ground-cover.