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Argumentative Essay: The Simple definition
He regarded me with a quizzical look, casting an even more quizzical look at the book I was attempting to give him – "book" might actually be a little bit of a stretch for the pamphlet-sized booklet I was finally able to hand him, with its smudged white cover and stapled-together pages. What's this? his noncommittal expression seemed to say, in a manner that betrayed neither receptiveness nor hostility. More to the point, that blank stare seemed to suggest, who the fuck are you? I have no idea what I said. I'm sure I wished that the book could simply declare itself. The stark black lettering on the cover announced "Almost Grown, and Other Stories, by Peter Guralnick," and it had originally been published three years earlier, when I was 20. I must have mumbled something about how the book had been inspired in part by his music, that the title obviously came from his song, that I hoped he would like it. (Help me, I'm trying to paint a sympathetic picture here.) He flipped through the pages and placed the book carefully in his guitar case. "Cool," he said, or the equivalent, and flashed me what I took to be an encouraging, if inescapably sardonic, smile. And then he was gone, off to the airport, off to another gig, or maybe just home to St. Louis. I still like to think that he read the stories on the plane on his way to his next destination.
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Whether in music or in fiction, the most basic thing is rhythm. Your style needs to have good, natural, steady rhythm, or people won’t keep reading your work. I learned the importance of rhythm from music — and mainly from jazz. Next comes melody — which, in literature, means the appropriate arrangement of the words to match the rhythm. If the way the words fit the rhythm is smooth and beautiful, you can’t ask for anything more. Next is harmony — the internal mental sounds that support the words. Then comes the part I like best: free improvisation. Through some special channel, the story comes welling out freely from inside. All I have to do is get into the flow. Finally comes what may be the most important thing: that high you experience upon completing a work — upon ending your “performance” and feeling you have succeeded in reaching a place that is new and meaningful. And if all goes well, you get to share that sense of elevation with your readers (your audience). That is a marvelous culmination that can be achieved in no other way.