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The paragraph immediately following makes clear that, for Du Bois,this is not only a “sensation” but constitutes a crucialobject of “striving” and political struggle for black folkin the United States:

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… African American male writers justifiably write books abouttheir oppression,

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We wear the mask that grins and lies,
It hides our cheeks and shades our eyes,—
This debt we pay to human guile;
With torn and bleeding hearts we smile,
And mouth with myriad subtleties.

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We smile, but, O great Christ, our cries
To thee from tortured souls arise.
We sing, but oh the clay is vile
Beneath our feet, and long the mile;
But let the world dream otherwise,
We wear the mask!

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The effective disalienation of the black man entails an immediaterecognition of social and economic realities. If there is aninferiority complex, it is the outcome of a double process: primarily,economic; subsequently, the internalization—or better, theepidermalization—of this inferiority. (1967: 10–11)

Library of Congress Catalog Data: ISSN 1095-5054

Henry takes this process of “Calibanization”—thesubstitution of a racialized identity based on a set of insidiouslycontrastive binaries for an original and native cultural identitygrounded in African ways of life—as the production of a form ofdouble consciousness.

Summative Assessment (Synthesizing: Putting It All Together)

is the theorizing of a period of racial/imperial domination in theself-consciousness of the Africana subject that is absent from thelife of Hegel’s European subject. (2005: 94)

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This passage is surely aimed against the debilitating effects of thefacts of life for Black folk in the Jim-Crow south. In it Du Boisurges the reader’s resistance against the submersion of hercherished ideal—equality qua“brotherhood”—by those brute facts of life. And thatis resistance to the pernicious double consciousness that would buryour intimate self-understanding under a dominant white supremacistrationalization of racial inequality. Such resistance involves anexpanded, and expansive, conception of “this our world”,one that owns the world in all its manifold, stunning, and appallingcomplexity.

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In The Black Atlantic: Modernity and Double Consciousness(1993) Paul Gilroy attempts to “muddle” theboundaries—both disciplinary and geographical—of thepolitical and cultural analysis in/of black studies. Gilroy argues,against essentialist and nationalist trends in black politicaldiscourse, for an “intercultural and anti-ethnocentric accountof black history and political culture” (1993: 115). Du Boisfigures prominently in that argument, and Gilroy extends Du Boisiandouble-consciousness both beyond the American context and at odds withan essentialist understanding of race.

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For Kirkland amour-propre is not the cause of the color-line,but

In an earlier text, Caliban’s Reason (2000), Henry usesthe Shakespearean motif, from The Tempest, of the clash ofthe European colonizer Prospero with the native Caliban. There hewrites of the “Calibanization” of the Africans imported byEuropean slavers to the Caribbean: