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Digital is preferable to analog in a number of ways:
1. It has superior speed pitch, which is very important with many forms of music (solo piano);
2. It has a quieter background compared to most records, which is important for other forms of music (acappella choir);
3. It is superior in retaining outer details, which is important for all types of music;
4. It can record higher dynamic volumes, which is important for some rare music (Japanese Kodo drums);
5. It has lower amounts of many types of distortions, which is important for all music; and finally...
6. The new digital formats (CD, DVD, SACD) are more practical and can be played countless times without any physical deterioration.
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Since I still owned an audio retail store when I began this website, I decided to both market the components I was representing while also posting all my audio and musical experiences I had the time to share. I even decided to include my audio philosophy and perspective on creating a deeply satisfying audio system. However, I had a serious problem when it came to the evaluation of Digital Sources, since I had limited experience with them and very little interest in catching up. Considering how many different subjects I felt I had to write about at the time, I decided to rely on my most trusted friends ("Associates") to help me in this one area. Since I trusted these people with my own purchases, I felt I could relay the same information and judgments they provided me to other audiophiles, even strangers, without the fear of being hypocritical. Accordingly, my Reference Digital Sources file ended up being dominated by my friends for something like 15 years. Shortly after I started the website, I left the audio business (and Canada) for good, but I decided to not only keep the website going, but to expand on it as far as my capabilities would allow.
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This "controversy" has been around for something like 25 years now. It became prevalent a few years after digital sources (CD players) became popular and commonplace. That's not a simple coincidence. It's routine for the "Musical Or Accurate" ("MOA") argument to directly follow the (also useless) "digital versus analog" and/or "tubes versus transistors" arguments. However, we will focus exclusively on the MOA, since the other two have already been addressed on this website, and are also irrelevant in this particular context.