Renderings Critical Essays On A Century Of Modern Art

The kiss up/kiss off tension of Anwander’s gesture brings us to the present and future of messing with MoMA. In particular, consider these decades of messing in light of current art world interest in participation, performance, and social practice art, in which critical intervention has been largely institutionalized. What is the nature of “messing” in the fully participatory museum? How do contemporary ideas about the social role of art museums change relationships between participant and observer, between collusive and critical actions, between what can and can’t be messed with?

About Modern Art: Critical Essays, 1948-1996 by Sylvester, David

About modern art : critical essays, 1948-1997

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In this essay, Jennifer Tobias, Reader Services Librarian, MoMA Library looks at the history of MoMA through the direct engagement of the artist. This research was presented in her exhibition Messing With MoMA: Critical Interventions at the Museum of Modern Art, 1939–Now (July 1–November 29, 2015), which documented seven decades of interventions by artists, the general public, and even MoMA staff, ranging from manifestos and conceptual gestures to protests and performances. “Messing” connotes the variety of these actions, which question, play with, provoke, subvert, and comment on the paradox of institutionalizing radical art.

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In this essay, Jennifer Tobias, Reader Services Librarian, MoMA Library looks at the history of MoMA through the direct engagement of the artist. This research was presented in her exhibition Messing With MoMA: Critical Interventions at the Museum of Modern Art, 1939–Now (July 1–November 29, 2015), which documented seven decades of interventions by artists, the general public, and even MoMA staff, ranging from manifestos and conceptual gestures to protests and performances. “Messing” connotes the variety of these actions, which question, play with, provoke, subvert, and comment on the paradox of institutionalizing radical art.

About Modern Art is the long-awaited collection of David Sylvester's essays on twentieth-century artists
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